Hidden behind the mask, could be Anastasia Pilepchuk or any other person tempted to transform her identity in order to access the alternative dimension that the artist walks through, which is as utopian as it is disturbing.
From the designs typical of a distant fantasy, such as the reflective polka-dot headdresses, tribal masks or floral motifs; but also from the bristling, spiky, or even buttoned faces of her first collection—launched in 2018—, one might think that Pilepchuk creates armor for a post-pandemic world. However, for her and her Russian and Burat ancestry, “it’s more about something sacred (…). Rituals and masks are in our DNA,” explains the artist, who, through her own meditative process, explores the other side of the mirror and captures it in threads, capes, spikes, feathers you…
