In Peter Doig’s Two Trees (2017), an impressionistic, dreamlike depiction of three men silhouetted against a moonlit sea, the colourful diamond patterns, camouflage details and citrus shades of their clothing have an intense tactility. The 12ft-wide painting, idiosyncratically ambiguous in its setting, seems to hold secrets within its rich brushstrokes. The figure on the right carries a silver video camera, appearing to film the other two men, who stand next to two twisted, moss-dappled trees. For A/W21, Dior menswear artistic director Kim Jones brought a sartorially-inclined lens to Doig’s oeuvre, zooming in on the bodies in the Scottish-born, Trinidad-based artist’s paintings, which draw from a wide range of photographic and artistic references (boldly hued hockey players, spectral Napoleonic soldiers, fiery lions, and figures that nod to Rousseau and Cézanne), and…
