A t the top of the old stone building in Kenmare’s town square is a tiny room filled with lace— bobbin, Limerick, Carrickmacross, Irish crochet, Mountmellick, and, of course, Kenmare, named after the tiny town it made famous.
Nora Finnegan runs her nimble fingers through the samples and presents a piece of Kenmare lace abloom with flowers. “This is what we call true lace,” she says. “It has beautiful handwork and a design that flows.”
Nora, director of the Kenmare Lace & Design Centre, is much more than an ardent admirer of the antique art of lace making. For the past two decades, it is she who, singlehandedly, has preserved the legacy of Kenmare lace for posterity. It all started when Nora asked the Poor Clare Sisters, who made lace…
