The paintings delighted Prince Charles.
They had arrived at Clarence House, his royal residence in London, in February 2017: a collection that would eventually comprise 17 magnificent works, including pieces by Picasso, Dalí, Monet, and Chagall, that humbled the prince with their power and provenance. A supreme arbiter of art, as both a lifelong collector and an artist himself, Charles listened eagerly as Malcolm Rogers, former curator of the National Portrait Gallery in London and retired director of the Boston Museum of Fine Arts, explained the significance of two paintings by Sir Anthony van Dyck, England’s leading court painter in the 17th century, that were propped up against the royal residence’s wall. The prince, Rogers recalls, seemed “enthusiastic” to hear their glorious histories.
Rogers was well acquainted with the source…
