Among photography buffs, the enigmatic and multitalented Lusha Nelson is the Forgotten Modernist. In the 1930s, he shot portraits for Vanity Fair, fashion spreads for Vogue, as well as still lifes, street scenes, and glossy ads with equal aplomb. A Latvian émigré, he had come to New York as a teenager with artistic aspirations, only to knock around doing odd jobs (including a stint as a sous-chef in the Catskills) before mirroring his mentor, Edward Steichen, and choosing the camera over the canvas. Though virtually unknown, Nelson quickly became a favorite of Steichen and Alfred Stieglitz, the reigning photography kingmakers, for his bold, sharpedged style and authentic approach. (Nelson abhorred retouching.) Steichen, then the chief photographer of Condé Nast Publications, took Nelson under his wing, and the young artist was…
