Edward Burra was a trailblazer, said Nancy Durrant in The Times. Whether painting the “Bright Young Things” of the 1920s, or scenes from the Spanish Civil War, Burra (1905-1976) was “as acute an observer as any journalist”, capturing all he saw in expressive, louche and bawdy scenes mostly painted from memory. A notable “boozehound” and an obsessive jazz lover, he painted “pubs, clubs and cabarets”, “shops, speakeasies and seedy streets”. Born to a wealthy family in west London, he was disabled from childhood, suffering from chronic rheumatoid arthritis and anaemia; he spent most of his life with his parents in Rye, East Sussex. Nevertheless, he travelled widely, recording everything with the same photographic eye for the low life – whether in London, Barcelona, Marseille or Harlem. This retrospective at Tate…
