Selling out Rivera
In 1931, the Mexican artist Diego Rivera, and his then “relatively unknown wife” Frida Kahlo, travelled to San Francisco to produce murals for two of the city’s public buildings, says Ben Hoyle in The Times. The first, at the San Francisco Stock Exchange, was “contentious”: as a well-known communist, Rivera was seen as an inappropriate choice for the commission. Now, 90 years later, the second mural has also become a source of controversy. Rivera painted the work: a fresco of a fresco, entitled The Making of a Fresco Showing the Building of a City, for the San Francisco Art Institute, where it has remained to this day. In recent years, however, the institution has suffered great financial difficulties; last autumn, the sale of the Institute’s campus and…