Innholdsfortegnelse for December 2018 - Issue 61 i The Rake

By the time you read this, The Rake will have celebrated its 10th anniversary and I will have moved past my 49th-year mile marker, compelled inexorably towards my mid century. Looking back on a magazine that was created to champion the idea that men get better as they get older, how does The Rake and the guy who created it hold up to scrutiny a decade later? Well, let’s discuss the magazine first. When the first issue of The Rake was unveiled, I was quite proud of it, despite the fact it was something of a flop in trend-driven Singapore. We championed long-form journalism at a time when communication had been pared back to acronyms and emojis. Inspired by books such as Alan Flusser’s Dressing the Man, we held discourse…

Should you visit the Museo Enzo Ferrari in Modena, you’ll find as many examples of the sporty dream machines the legendary car magnate lavished on the world as you could wish for, from 1948 Touring Superleggeras and GT 2+2s from 1968 to the 2002 model that bears his name, fittingly resplendent in scarlet livery and complete with DeLorean-style batwing doors. There’s even a unique Ferrari Hydroplane, the Arno XI, from 1954. The exhibits are spotlit like rarefied jewels, and it’s not hard to see why the name Ferrari has transcended the world of AutoBuzz fanboys and Mille Miglia grand tourers and come to stand for something recherché and revered, whether it’s being dropped by French literary luminaries (Whisky, gambling and Ferraris are better than housework: Françoise Sagan) or U.S. rap…

Rastafarians, Wookiees, ghillie-suit-wearing snipers: we’ve heard all the oh-so-droll comparisons inspired by our extraordinary matted pelts, and passersby expecting a reaction to these quips (generally the type of intellectually flaccid Homo sapiens who also attempt to regale celebrities by shouting their catchphrases across busy streets) will be met with deaf ears — and not just because our rope-like strands of fur are to soundwaves what latex is to embarrassing pathogens. We’re made of hardy stock, you see, and are thick-furred in both the literal and figurative sense. Our origin — rather than Kingston, Kashyyyk or Kabul, to elaborate on our putative street jester’s humourless bijoux — is Persia, or modern-day Iran. It is thought that nomads from this area brought us — via Anatolia, the Caucasus mountain range and the…

Modern tales of the discovery of beauty are so predictably twee and naff. The latest doe-eyed ingenue just happened to be slinging mango tangos at Just Juice in Westfield when some assistant from a modelling agency that thinks its name is far cleverer than it is caught a glimpse of something special. Which was later confirmed by a swimsuit photoshoot they Instagrammed the shit out of. It’s all as pedestrian as the shopping mall where the next signee happens to work. Now try this for a backstory. It’s 1945 and Paris has been liberated for less than a year. The occupation lasted four miserable, jackbooted years, and the denizens of the City of Light are incrementally reawakening to the jaw-dropping blessings of their surroundings — one of which happens to…

Menswear entrepreneurs don’t come more energetic, more unwaveringly productive, than Mark Cho, the co-owner of the renowned British heritage label Drake’s, and the co-founder (with Alan See) of The Armoury, a specialist multi-brand outfitter focused on bespoke handmade products, and a venture that has shaken up the global menswear scene since it launched in Hong Kong in 2010. London-born Cho, 35, became interested in classic style when he was 16 — the age at which his school relaxed its dress code to permit suits. Two decades of sartorial evolution have helped him develop an approach to curating brands that nails timeless classicism while steering clear of pastiche. In recent years, The Armoury has also created its own, exclusive range of products, including tailoring, footwear and bags, developed inhouse by Cho,…

It’s hard to think of a more aptly named establishment than Brio, a Beijing boutique that, like many such Eurocentric outfitters based in Asia, operates with a zeal born of frustration. “When I graduated from university and went to Hong Kong to work in the finance industry, the idea that western-style tailored garments would form the core of my wardrobe took shape,” says George Wang, who founded Brio in January 2015. “For at least five days a week I couldn’t leave home without a tie and a pair of dress shoes.” Finding himself disappointed by local options, Wang decided in 2010 to “go to the source, and make my first Liverano suit”. He adds: “I’ve never looked back. I saw an opportunity for me to make a statement by creating…

At its heart, luxury menswear is about craft, ritual and community. One of the great secrets of the industry is that, while beautiful clothes are lovely, it is being part of an international network of thinkers, makers and mavericks that makes it truly exciting. And of this motley crew, The Bespoke Dudes’ founder, Fabio Attanasio, can consider himself one of the ringleaders. The industry inarguably owes the internet an enormous debt of gratitude for connecting and uniting many followers of menswear, and it can also be held responsible for a certain kind of armchair critic. But although Attanasio is a commentator and, yes, a critic on occasion, what makes him different, and infinitely more relevant, is how he has channelled his knowledge and passion into not only elevating so many…

Sure, legendary Harvard dropout Bill Cunningham may have been the first to democratise style by pointing his camera at Manhattan’s sartorially resplendent sidewalk habitués for his 1978 New York Times series On the Street. But it was Scott Schuman who in 2005 singlehandedly transformed street-style photography from a quirky, niche medium into the most powerful communication tool in modern style. His objective was poignantly Platonic. In a world in which images of beauty were manipulated by corporations and cast as sky-high shadows on the back of the cave wall, Schuman enacted a liberation, turning his lens away from the prefabricated and manufactured and seeking instead genuine beauty radiant in its truthfulness. By now, his story has become something of a legend taught in master’s communication programmes at the loftiest schools.…

Matt Hranek’s extraordinary ability is to seemingly be everywhere at the same time. Check out his cryptically non-eponymous Instagram account, @wmbrownproject, and along with his 40k-strong following you’ll tap into a non-stop, twenty-four-seven, 365-day-a-year whirlwind of large living in the world’s most fabled destinations, from Ischia to the Isle of Jura distillery to Il Pellicano — and fuelled by a ceaseless armada of Punt e Mes-infused negronis and enough Flintstone Brontosaurus-sized slabs of choicely marbled red meat to give a grizzly bear diverticulitis. I once wanted to see him so badly that I closed my eyes somewhere between my third and fifth Martini at The Carlyle Hotel’s Bemelmans Bar, and suddenly I heard him say, in his typical proto-Rat Packian croon, “What’s shakin’, my man?” as he seemingly manifested out…

What’s in a name? In Shakespearean terms, it is two equally dignified households bearing a grudge that goes back a while; at least, I think that’s the context. These days, especially in style, names evoke a fantasy. They are transformational vessels that define a certain man, and how he wishes to present himself to the world. Successful eponyms are few and far between; many try, most fail, and they do so with the gamble of their name literally on the line. Some pay off, Ralph Lauren perhaps being the most obvious name on that list. Incontrovertible examples in the U.K. are harder to come by, but there is one that stands head and shoulders above the rest for his success in bringing the sartorial intelligence and cultural importance of Savile…

Garments purchasable at TheRake.com One of my favourite lines in one of my favourite movies comes from Tom Cruise as Vincent in the epic Michael Mann thriller Collateral (2004), when he says to Jamie Foxx’s Max: “Now we gotta make the best of it, improvise, adapt to the environment, Darwin, shit happens, I Ching, whatever man, we gotta roll with it.” It encapsulates Darwinian theory that it is not the fastest or strongest of any species that survives, but those most given to adapting to change. And it was under the auspices of this that the wristwatch as we know it was born. Although some wristwatches had existed since the early 20th century, it quickly became apparent at the onset of the first world war that extracting a watch from…

Hublot and Manchester United; Bremont and Jaguar; IWC Schaffhausen and the British Film Institute. Collaborations, in the more exalted echelons of the horological world, are becoming more diverse. Given Vacheron Constantin’s recent partnership with Abbey Road Studios and Zenith’s with The Rolling Stones, they are also getting a little more rock ’n’ roll. It is a phenomenon that can be put down to greater crosspollination of emotional pursuits among the type of people who love fine timepieces. According to Paul Boutros, the Head of Americas and Senior Vice President at Phillips Watches, there is, concurrently, an ever larger overlap when it comes to people who are prolific in their accumulation of different types of keepsakes. “At Phillips, our clients’ interests typically span multiple collecting genres — whether it’s watches, contemporary…

It was remarkably refreshing to interview the Earl of Snowdon. Not once did I feel like there was a party line he needed to sneak into our discussion via his press strategists. Not once did I feel like there was anything other than authenticity in his answers, or any attempt on his part to amplify his creations to some heavenly height, which can be a tell that the designer isn’t convinced he or she is as good as they say they are. Snowdon, formerly and better known as David Linley, where the name of his eponymous interior design brand comes from, does not have that problem: he has been in the business long enough to come across as perfectly comfortable in his brand’s skin, and happy to let every cabinet,…

Flavio Manzoni is affable and softly spoken, extremely humble despite many accolades, and a man of impeccable style. Nine years ago he was tasked with creating Ferrari’s in-house design centre and setting the company’s design direction. It was not a task for the faint of heart given Ferrari’s deep, rich racing history, the iconic models past and present, and the marque’s fanatics. Fast-forward to today and we can clearly see evidence of Manzoni’s genius. He has a clear vision and is arguably one of the most influential creative minds working today. The Rake was honoured to spend some time with the man responsible for steering Ferrari’s visual identity into the future. You started with Ferrari as Design Director in January 2010 with a team of four people. Today you are…

He never feared failure, and this is the only way you can be successful in life. I learned that from Dino.” So said Arnold Schwarzenegger at the funeral of the Italian film producer Agostino ‘Dino’ De Laurentiis. Dino’s C.V. reads like a surrealist notebook, timeless masterpieces like La Strada, Serpico and Blue Velvet cheek-by-jowl with flamboyant catastrophes. An ingenious financier and talent spotter, as well as an adventurous anti-snob, he was instrumental in the careers of neorealist icon Silvana Mangano (whom he later married), Al Pacino, David Lynch and Schwarzenegger, as enlightened and audacious an operator in post-war Italy as in eighties Hollywood. He was also a master of failure, not because he failed but because he knew how to harness it. De Laurentiis was born in the Neapolitan seaside…

For the past few years, the profile of Hong Kong-based Craftsman Co. has been in the ascendant. Founded by friends Tobe Fong and Ng Tze ‘T.C.’ Ching, the brand’s beautifully crafted custom and bespoke leather jackets have won them a legion of devoted followers. Tobe and T.C. met in 2006 on a menswear forum, and soon bonded over their shared values. “The reason we started Craftsman was because there wasn’t a maker in the market who could offer that customisation [while also] using the finest materials at an accessible price point.” Transforming people’s understanding of Hong Kong craftsmanship has been an important pillar of building the brand. “By basing ourselves in Hong Kong, we can have our products made by artisans with over 40 years of experience,” says Tobe. The…

Garments purchasable at TheRake.com Elizabeth Gage silver drachma coin cufflinks “I look at a stone,” the British jewellery designer and master goldsmith Elizabeth Gage once said, “and it tells me what to do.” With a glance at these cufflinks, her words immediately carry resonance and relevance. Half a century after she won her first major commission, for Cartier in 1968, Gage, the proudly avant-garde jeweller, is finding more and more inspiration in her materials of choice, which range from exquisite stones to baroque pearls via ancient bronzes, stunning carvings, enamel, molten gold, coins and stones. Gage’s idiosyncratic elegance and command of historical references has seen her garner a large following in the U.S., among other areas, while her cufflinks featuring ancient coins have gained her significant cachet and currency (pun…

I find that as I grow into the old, cantankerous curmudgeon that is my true inner nature, I take increasing umbrage at the oft-quoted catchphrase of the English metaphysical poet John Donne: “No man is an island.” What a bunch of horseshit. I am an island, damn it. And proudly so — a one-man act of isolationism with my self-defence mechanisms aimed like gun turrets lest someone seek to disturb my hard-won tranquillity. I am very much of the opinion that equipped with no more company than that of a preternaturally cognisant Border Collie and a phonograph upon which to play my collection of Bruce Springsteen recordings, I would be pleased to live my remaining years in total solitude with weekly air drops of Vosne-Romanée wine, tins of caviar and…

It is a truth universally acknowledged that a man in possession of a top-grade clothing outfitters must be in need of an aggressive social media campaign. But should it be? Bo Yang, the owner of Bolognese shirtmakers Marol, has singlehandedly proved that, among style purists — those who appreciate cut, class and craftsmanship from a truly informed standpoint — the phrase ‘word of mouth’ (a largely figurative one now that opinions are shoved into the ether by people’s thumbs) can still be an apposite phrase in its original literal sense. Marol was conceived in 1939 (the moniker comes from the opening letters of its founding family’s names: Manuela, Rosanna and Luciano), and its factory opened 20 years later. In 2016, the Canadian-born Yang, who came from the world of finance,…

Some men ‘get’ style, in the same way that Frédéric Chopin got how the simple physics of felted hammers striking strings could be woven into poetic ballades, scherzos and nocturnes. Kelly See, the co-founder of Manila-based men’s lifestyle store Signet, is one of these men. “I’m a spontaneous dresser,” he says of an approach to apparel that is distinctive, eye-catching and comes with a touch of jauntiness. “In the morning I choose to dress depending on my mood. I’ve tried planning my outfits but it’s never worked for me. I keep changing some parts and usually end up with something completely different from what I had in mind.” The idea for Signet emerged from See’s and his business partners’ frustration with having to go abroad each time they wanted to…

Imagine the ultimate triumvirate for The Rake. Three men who encapsulate artistry, elegance, sophistication and intelligence. You’d be hard pressed to improve on the trio of Bernard Fouquet, Nick Fouquet and Oriol Elcacho. You will recognise them from these pages if you count yourself a regular reader — notably in our 60th issue, in which they were the models we chose for our fashion shoots. They are the living embodiment — the aesthetic and stylistic manifestation — of what we mean when we talk about “the modern voice of classic elegance”. Bernard Fouquet has led quite the life: helicopter pilot, model, father, designer… He is also a natural raconteur, to which you will attest if you’ve heard any of his stories relayed in his pulchritudinous French accent. He is a…

Nick Foulkes likes to declare upon introducing Pierre Lagrange to someone new: “He invented money.” While humorous in intent, it is not so far from the truth. Lagrange is something of a legend in the hedge fund world. He co-founded GLG Partners in 1995 as a division of Lehman Brothers, before forging its independence and taking it public on the New York Stock Exchange in 2007. In 2010 GLG was purchased by the Man Group for £1.6 billion, a deal that created the world’s largest hedge fund. Observers not familiar with Lagrange, then, might be curious as to why one of the world’s most renowned financiers spends a significant amount of his time nurturing and safeguarding the future of one of Savile Row’s most fabled tailoring houses, Huntsman. With a…

Richard Biedul is something of a polymath. He was a solicitor before he became Britain’s most in-demand model, and most recently he has flourished as a style and art director, a capacity in which he has been a tireless champion of domestic design talent. “The most rewarding part of this transition has been the realisation that I am now an active contributor to an industry I love,” says Biedul, who takes his Rake of the Year podium alongside his wife, Melissa Tarling, and the pair’s sausage dog, Winnie. “Whether it be producing beautiful imagery for clients or developing collections for King & Tuckfield, I know I’m now leaving behind a tangible imprint — something that I’m proud of and can be used as a measuring stick for my own progression.”…

Aero Leather’s RAF Battle of Britain jacket Scotland-based Aero Leather Clothing is one of the best makers of historically accurate military flight jackets. This particular model made specifically for The Rake’s collaboration with IWC is a Battle of Britain jacket. As leather became short in supply in 1940, the RAF redesigned their B-3-style jacket to use smaller panels. This jacket features russet sheepskin that has been tanned and graded then cut and constructed using precise period-correct panel work, topped off with a honey fleece collar. Drake’s Tiger Moth and propeller-themed accessories Drake’s is dedicated to fabricating the very finest clothing and accessories to suit the modern gentleman’s wardrobe in one of the last existing clothing factories in London. The Tiger Moth pocket-squares feature the De Havilland DH.83, a 1930s biplane…

Unless you have recently awoken from a coma or been marooned on a desert island, you have no excuse for being unaware of the house-sized Cartier box that appeared on New Bond Street in London. It covers the front of the historic Cartier shop and is one of the most elegant hoardings to cover a building site. Soon, possibly even by the time you read this, that hoarding will have been removed to reveal a five-storey cathedral honouring the cult of Cartier. It is the biggest thing to happen to Cartier this side of the English Channel for a century — in fact, more than a century, ever since Cartier seduced British high society during the elegant frivolity and douceur de vivre of the Edwardian era. After the long and…

Once every century or so, a woman so epically stylish, so fiercely and independently brilliant, grows up to reshape the world around her, refracting it through her imagination and unique taste. That to me is Mary Randolph Carter, a woman who in many ways is the living embodiment of Diane Keaton as Annie Hall, espousing an electrifying eclecticism that moves beyond mere style and into the realm of visual and aesthetic poetry. Her ineffable coolness, her inspired mélange of found objects, her gypsy-bohemian rock ’n’ roll chic mixed with country-girl insouciance, is best defined as an independent original art form. It was not lost on Ralph Lauren when, many years ago, he recruited her to work firstly in his advertising department, where she oversaw some of the company’s seminal campaigns,…

MICHAEL SCHWARTZ Michael is a Floridian turned New Yorker, and a photographer. He began his career in the fashion industry as an agent for models. While developing and maintaining the careers of some leading models, he had a desire to get back to his lifelong goal of capturing still and moving images. Since changing careers he has not looked back, having shot for several iconic brands, including Hugo Boss, Victoria’s Secret, Vogue and GQ. Michael lives in New York with his girlfriend and his badass Pomeranian called Biggie. In this issue Michael returned to The Rake to photograph Willem Dafoe for our cover and accompanying story (page 86). ARNALDO ANAYA-LUCCA Arnaldo, who was born in Puerto Rico to a cardiologist father and Episcopal-minister mother, moved to the U.S. in 1974…

Garments purchasable at TheRake.com Turn on the television and the actors you’re likely to see in major roles will fit a very specific demographic: white, male, and of a fairly well-to-do background, even if the characters they’re playing are not. Instead of accepting this issue as fact, the actor David Mumeni is trying to change it. Mumeni had what might be called humble beginnings: born and raised in north-west London, he’s the son of a mechanic and a homemaker, and attended what he says was a “pretty rough” local school. Among his classmates, it was unusual to aspire to be an actor, and the explanation for Mumeni’s career path was his flair for drama mixed with luck. He managed to get into various youth theatre programmes during his teenage years,…

As a movie that almost got shelved, Vox Lux is in good company: Bladerunner (Ridley Scott’s script rewrites sent the budget spiralling), Star Wars (a violent storm caused project-threatening shoot delays), and Jaws (the lack of script, cast or shark) all came close to being filed in the ‘better luck next time’ corner of movie history’s vaults. It is a worthy addition to an illustrious canon. The second offering from actor-turned-director Brady Corbet, starring Natalie Portman and Jude Law (with wry voiceover narrative snippets from this issue’s cover star, Willem Dafoe), it’s a pulsating musical drama with a big dose of social commentary and a soupçon of satire. Portman, the engine-room cast member here, in a performance that shows her range to be equal to her ambition, plays Celeste, the…

Garments purchasable at TheRake.com It is galling, most readers will agree, to take a much cherished suit to a high street outlet and hand over hard currency to have its fabric’s natural oils ravaged by perchloroethylene: equivalent, no less, to paying a DNA-cloned, pre-opposable-thumbs Homo erectus equipped with sharpened stick to service a mechanical timepiece inherited from a beloved relative. It’s also a nuisance that a common ritual, on arriving at a hotel, has become hanging whatever suits you’ve packed with you close to a steaming hot shower to remove the suitcase-inflicted wrinkles. So the world of menswear emitted a collective cheer of relief and joy when Z Zegna announced the imminent release of its Techmerino Wash & Go collection, a selection of garments that are available at TheRake.com. For…

Sustainability is more — far, far more — than just a marketing bijou for Ethan Newton and Kenji Cheung, co-founders of Bryceland’s Co., a Tokyo-based outfitters that sees heritage as a future-proofing endeavour rather than a nostalgic one. “Before we founded the company, I’d heard of a concept that described the ‘Kansai’, or western Japanese, approach to retailing,” Newton says. “It’s summed up by the word sanpo-yoshi, meaning to benefit in three directions. In the merchant class, this means there is a balanced relationship between supplier, merchant and customer that helps all find value from each sale.” It’s just one of many admirable strands in the commercial philosophy of an Australian menswear maven who worked at Ralph Lauren, Evisu and P. Johnson tailors before embarking on this most noble of…

While France is obviously a major hitter in the field, and superb ateliers can be found in the largest cities of America and Japan, the national powerhouses of modern bespoke suiting arguably remain England and Italy — the former having given birth to modern tailoring with its distinct, military-derived silhouette and the latter having famously upped the ante with a softer, unstructured version in the 1930s. So it’s little wonder that Anglo-Italian — the name settled on by Jake Grantham and Alex Pirounis when they opened their London store last year — has struck a certain resonance with the more erudite in menswear circles, particularly as this brand offers precisely what it says on the proverbial tin: visit its charming, prewar Italian-vibe atelier in Marylebone and you’ll find an enchanted…

It was only a matter of time before Jamie Ferguson earned a place in our Rakes of the Year issue, as he’s contributed to the magazine with the same reverence, wit and commitment for several years now. In this industry, journalists, editors and influencers usually take the plaudits, but it is photographers who foreshadow the ever-changing landscape of menswear. Whether he’s on the frontline in Florence at Pitti Uomo or shooting for every menswear brand or store in London worth knowing, you’d be challenged to find someone who hasn’t heard of the one and only @jkf_man. The early 2000s was a consequential time in Jamie’s career. Before #menswear came to fruition, Tumblr was the go-to platform for a quick fix when the pages of GQ and Esquire didn’t suffice. It…

Henri Matisse was the man. Following the advent of the camera, at a time when the capacity to depict reality, previously considered the ultimate barometer of great art, had become democratised, France’s artists realised they were at a crossroads. They recognised that in a world in which reality was accessible to anyone, the primacy of art would be dictated by the way in which reality was reconstructed and reimagined through the mind of the artist. Accordingly, the first major artistic movement that followed was Impressionism. But it was Matisse who moved a step further away from the representationalism retained in Impressionism to create a brief but seminal movement called Fauvism. And his work is now lauded as the critical link between representationalism and abstraction. His seminal work is an oil…

As business backstories go, theirs is one with more than its fair share of fairy dust sprinkled upon its pages. Ed Shaikh was a highly successful Ralph Lauren salesman (the third-highest achieving in the U.S., no less) and Gable a New York-born graduate of the Fashion Institute of Technology when the pair met as colleagues at the Ralph Lauren store in Highland Park Village, Dallas. Founding their custom clothier in 2009, having by then married and started a family, they chose to name it after their first-born child, Hadleigh. What started out as a by-appointment-only venture quickly became a physical retail space at Highland Park. Almost a decade on from the company’s founding, the couple’s emporium, which stocks Cesare Attolini and Sciamat as well as Hadleigh’s own in-house creations (including…

Garments purchasable at TheRake.com I have always been interested in why we use the colour of a bow tie to differentiate between the degrees of formality in gentlemen’s evening dress. ‘Black tie’ is the less formal and popular version, while ‘white tie’ is rarely seen these days outside of diplomatic dinners, period dramas and televised ballroom dancing competitions. The crucial difference is the style of evening coat, with white tie requiring a body coat that reaches to the back of the knees. It is worn unfastened — indeed, it cannot be fastened — yet has the buttons to imply it is double-breasted. (And it is a useful example to help you prove that double-breasted styles can be left unbuttoned should you ever find yourself in a debate with a menswear…

There are three things you need to know about Louis-Michel Liger-Belair. Firstly, from the moment you taste his wines — anything from his village-classified Vosne-Romanée up to La Romanée Grand Cru Monopole — it’s an experience there is no returning from. And the difference is as great and life changing as losing your virginity. I don’t say this lightly. Suddenly a confluence of dynamic energy explodes and races across your palate, becoming increasingly refined even as it begins to fade into memory. Like sex, it is a sensual experience that will forever change your world view. And, like the best sex, it is something you will continuously seek out, always with the concern that your imagining of it was greater than the reality — until you once again bring a…

7 FOR ALL MANKIND – www.7forallmankind.com 3.1 PHILIP LIM – www.31philliplim.com A.B.C.L – www.abclgarments.com A.CARACENI – www.a-caraceni.it A.P.C – www.apc.fr A. SAUVAGE – www.asauvage.com ABBEYHORN – www.abbeyhorn.co.uk ACNE STUDIOS – www.acnestudios.com ADIDAS – www.adidas.co.uk AL BAZAR – www.albazarmilano.it ALBERT THURSTON – www.albertthurston.com AGENT PROVOCATEUR – www.agentprovocateur.com AGNONA – www.agnona.com ALEXANDER MCQUEEN – www.alexandermcqueen.com AMI – www.amiparis.fr ANCIENT GREEK SANDALS – www.ancient-greek-sandals.com ANDERSON & SHEPPARD – www.anderson-sheppard.co.uk ANDREA POMPILIO – www.andreapompilio.it AQUASCUTUM – www.aquascutum.com AQUAZZURA – www.aquazzura.com ASPREY – www.asprey.com ASSOULINE – www.assouline.com AUDEMARS PIGUET – www.audemarspiguet.com BALLY – www.bally.com BARBANERA – www.barbanerastyle.com BASELWORLD – www.baselworld.com BATES – www.bates-hats.com BEGG & CO. – www.beggandcompany.com BELL & ROSS – www.bellross.com BELSTAFF – www.belstaff.co.uk BENSON AND CLEGG – www.bensonandclegg.com BERLUTI – www.berluti.com BERRY BROS. & RUDD – www.bbr.com BLANCPAIN – www.blancpain.com BLK DNM…