‘Beyond the Fringe first fell upon London like a sweet refreshing rain on 10 May 1961,’ wrote Michael Frayn.
‘That night, the theatre came of age,’ wrote Kenneth Tynan.
Bernard Levin called it ‘brilliant, adult, hard-boiled, accurate, merciless, witty, unexpected, alive, exhilarating, cleansing, right, true and good’.
Levin was OTT but, at 15, I agreed. Fringe paved the way for Private Eye, TW3, the Pythons…
Jeremy Front's play Behind Beyond the Fringe (Radio 4) retold the story. John Bassett of the Edinburgh Festival assembled the distinctive Oxbridge quartet. Don Alan Bennett and Dudley (‘the piano's his forte’) Moore were both Oxonians from state grammars. Then there were the two Cantabs from public schools, junior doctor Jonathan Miller and revue-writer Peter Cook.
Bassett introduced the four over lunch and lured them…