“MANY CIS PEOPLE (I FIRST WROTE ‘CIVILIANS’) ARE BAFfled by transgender matters,” writes Lucy Sante near the end of her crisp new memoir, I Heard Her Call My Name, which begins, and ends, with her own coming-out as a trans woman in 2021. Sante writes to unbaffle them and—like all good memoirists—to explain her life to herself. And in the process, she describes an aspect of existence common to her generation of trans people and so to mine, too: We often felt that we grew up profoundly alone.
Born in Belgium in 1954, Sante became a professional writer in the New York of the early 1980s. She flourished in the downtown experimental punk-and-art scene that also included Kathy Acker, Jean-Michel Basquiat, Richard Foreman, Nan Goldin, Tom Verlaine, the Contortions, DNA,…
