What possesses writers to revisit their previously published material? Walt Whitman famously composed Leaves of Grass for much of his life, adding, cutting, renaming, and regrouping poems across nine editions from 1855 to 1892. In 1925, Virginia Woolf gave the titular Mrs. Dalloway—a flat, conservative minor character from her first novel, The Voyage Out—a radical interiority. And late last year, Margaret Atwood delivered a sequel to her best-known novel, The Handmaid’s Tale.
Published in 1985, The Handmaid’s Tale depicts life in the authoritarian Christian Republic of Gilead (formerly the United States), a place where the female intellect is violently repressed and fertile women, such as the narrator, Offred, are separated from their families and forced to bear children for the barren elite. The novel introduces her in the throes of daily…