The South Korean filmmaker Bong Joon-ho has called his latest movie, Parasite, a “sad comedy.” It’s an imperfect label, though Parasite—which won the Palme d’Or at the 2019 Cannes Film Festival—did make me laugh, sometimes hysterically. It also made me feel low, even miserable, though probably not for the reasons Bong intended.
The plot centers on two nuclear families living in Seoul, one poor and one rich, one downstairs and one upstairs. Ki-taek (played by the formidable South Korean actor Song Kang-ho), the patriarch of the working-class Kim family, lives with his wife, Chung-sook, and their adult son and daughter, Ki-woo and Ki-jung, in a half-basement apartment redolent of sewage and thick, hand-washed socks that refuse to dry. (Ki, which can be rendered as Gi, is also the first syllable…