The last time writer/director Barry Jenkins brought us one of his films, he performed that rarest of tricks: turning a $1.5m budget into an excellent drama, a box office hit, multiple Oscars, and a movie that gave the Academy Awards the most dramatic twist finale in its history.
Most crucially of all, the film in question – Moonlight – has continued to resonate, and rightly so.
Yet If Beale Street Could Talk, Jenkins’ new release, hasn’t quite enjoyed the same level of Academy love. Shut out of the bulk of major Oscar categories, it’s easy to conclude that the film is more conventional, just a little less ambitious, and doesn’t feel as groundbreaking. For me? I’d just argue that it’s quieter. It’s a slow, patient diligent piece of cinema that’s…
