Most lovers of chamber music probably consider the string quartet to be the ultimate instrumental configuration. The sound of two violins, a viola and a cello blend so deliciously, each instrument an extension of the other, sharing a common source: bow, string, wood. The wind quintet is a different kettle of fish. I’m not saying music for flute, oboe, clarinet, French horn and bassoon cannot be beautiful but its quality lies in the difference between the sounds, rather than their similarity.
It’s no surprise, then, that Jewish-Hungarian composer György Ligeti was attracted to the wind quintet. One of the most extraordinary musical voices of the 20th century, Ligeti’s output is a continuous exploration of timbres and textures, as a new CD from French ensemble Les Siècles demonstrates. Two works for…
