IT WAS A bold move for Luca Guadagnino, director of the 2018 Academy Award-nominated, Call Me by Your Name, to undertake a remake of Suspiria, the 1977 film from Italian horror auteur Dario Argento, as his next project. Buoyed no doubt by the critical acclaim Call Me by Your Name had received, Guadagnino, an avowed Argento fan, likely felt he could do Argento’s cult classic justice. While this remake does have its moments, the manic energy and artfulness of the original has been replaced with an extended, and at times highly unpleasant, meditation on motherhood, Nazism, terrorism, psychoanalysis, and lots of other stuff I probably failed to absorb, even after repeat viewings. One thing the film does have going for it is Tilda Swinton, an actor who gives 100 percent…