PRINTMAKING, which dates to ancient times, was long considered a craft, useful mainly for reproducing religious illustrations. But with his intricate woodcuts and engravings, Albrecht Dürer (1471-1528) elevated it to a fine art. “One cannot overstate the influence of Dürer on the history of the print,” says Naoko Takahatake, curator of a new show at the University of California, Los Angeles’ Hammer Museum, “Sum of the Parts,” which covers 500 years of printmaking. “From a purely technical point of view, engraving and woodcut for centuries have been measured against his example.” A series of the German master’s “knot” prints, which are based on designs by Leonardo da Vinci, is a highlight of the exhibit, which aims to demonstrate how artists use sequential prints to explore ideas, develop a theme or…
