JOHNNY ORTIZ-CONCHA IS good with his hands—tossing hay bales, foraging chokecherries, tending beehives on a 22-acre ranch outside Taos, New Mexico. He can cook, too, although he no longer defines himself as a chef. His communal dinner series, / Shed, is based on a meditative ethos that extends to the wild apples he ferments, the tuah-tah red beans he simmers, and the criollo beef he dries in the high desert sun, all sourced within reach. Even Ortiz-Concha’s rough, darkly beautiful dinnerware is fashioned by hand: He digs the raw clay himself from deposits in the Sangre de Cristo Mountains, where his ancestors have done the same “ever since anyone can remember,” he says. The soil is a singular composition of crushed rose quartz, pink feldspar, sandstone, and sparkly mica. “Traditional potters…
