For the automotive aesthete, 1965’s 24 Hours of Le Mans was a near-unrivalled visual, acoustic and sensory feast. True, sports car enduro events from any year of the ’60s were hardly short on eye candy, but ’65 with its grid of striking primary colours over sleek, exotic bodywork was something extraordinary.
Lining up at a hot and sunny La Sarthe that year were six Ford GT40s (not one of which finished), five Ferrari 250 LMs, five AC Cobra Daytona Coupes and seven Porsche 904s with a mix of flat four-, six- or eight-cylinder powerplants. Ferrari’s armada was strengthened by racing 275s, 330s and 365s, while smaller-capacity classes were flush with curvaceousness including Alpine A110s, Austin-Healey Sebring Sprites and Alfa Romeo Giulia TZ2s.
Even the drivers looked good: minimal sponsorship on…