Using the 1931 play Green Grow the Lilacs as a template, Richard Rodgers and Oscar Hammerstein II, in their first collaboration, developed Away We Go! as a musical play, a new format that wove both song and dance into the storyline. The musical followed farm girl Laurey and her courtship by two rival suitors: cowboy good-guy Curly and sinister Jud, the farmhand.
Many on the Great White Way in 1943 predicted that Away We Go! would be dead on arrival, especially after it first opened out of town in New Haven, Connecticut. As the story goes, one Broadway producer left after the first act, quipping a stinging review: “No legs, no jokes, no chance.” Ouch!
Oklahoma! is considered the single most influential work in the American musical theater. On the…