Innholdsfortegnelse for V76 Issue 4 i Pro Photo

Current to 28 February 2021: Exhibition. Wildlife Photographer Of The Year 2019. Winners and finalists – 100 images displayed on special light panels. At the Australian National Maritime Museum, 2 Murray Street, Darling Harbour, Sydney, NSW 2000. Ticketed event. Museum hours are 9.30am to 5.00pm daily. For more information and bookings visit www.sea.museum/whats-on/exhibitions. Exhibition currently open and also available as an online tour. Current to 30 May 2021: Exhibition. National Photographic Portrait Prize 2020 touring exhibition. The 48 finalists and winners from the 2020 competition. At Griffith (current to 2 August), Cowra (8 August – 27 September), Beaudesert (19 October – 11 December), Roma (6 January – 3 February 2021), and Grafton (9 April – 30 May 2021). Visit www.portrait.gov.au for full details. Exhibition currently available online. 14-15 August 2021: Aperture…

Podcasting Microphones Clearly, for a speech-driven form of media, you’re going to need a microphone. Mics come in all different shapes and sizes, all offering slightly different possibilities. For podcasting, however, we’d point you in the direction of a good-quality, well-made condenser mic. A popular option is to use USB condensers, on account of their simplicity, but professionals might prefer the flexibility of dedicated broadcast microphones. Larger setups, involving multiple guests, will probably be better served with better quality studio microphones. If you’re recording in your kitchen or bedroom, you are at the mercy of all those extra sounds a typical house will make. That could be doors shutting, or the reverberation of a large room, or simply cars driving past while you’re recording. While noises of this type can’t…

Sony has stuck with big pixels for the third-generation video-orientated A7S series full-frame mirrorless camera. The A7S III has an all-new, backside illuminated Exmore R sensor with an effective resolution of 12.1 megapixels (12.9MP total), which means a dynamic range of 15+ stops and sensitivity that can be wound up to the equivalent of ISO 409,600. The camera’s newly developed Bionz XR processor – which Sony says is eight times more powerful than the Bionz X engine – enables 4K UHD recording internally at up to 100/120fps and with 10-bit 4:2:2 colour. For the first time on an Alpha-series mirrorless camera, the A7S III can output 4K RAW video (via an HDMI Type A connector) at 50/60fps with 16-bit colour sampling (and recorded using the full sensor width too). The…

Owners of Fujifilm’s X mount or G mount mirrorless cameras now have some new flash products to consider. The EF-60 is a new on-camera flash unit with a metric guide number of 60 (ISO 100), an auto zoom flash head – covering the angles-of-view of 24mm to 200mm (35mm equivalent) – and a white LED modelling light. The EF-60 also supports HSS (high-speed flash) sync, which uses a pulsed output to enable flash photography with shutter speeds of up to 1/8000 second. It also allows for RF remote control and triggering using the Nissin Air System (NAS), so Fujifilm has also released the EF-W1 wireless commander unit. The EF-W1 allows for flash control in one-third stop increments in both the TTL auto and manual modes. With the latter, the flash…

Canon’s upgrading of its photo printer line-up continues with the arrival of the PIXMA PRO-200 A3+ format model which replaces the PIXMA PRO-100S. Aimed at both professionals and enthusiast-level photographers, the PRO-200 arrives hot on the heels of the A3+ format PRO-300, which replaces the PRO-10S and has the imagePROGRAF branding because of its much higher level of spec and capabilities. The compact PRO-200 has an eight-colour dye-based ink set (versus the PRO-300’s ten pigmented inks) with new formulations for the magenta and black to the given expanded colour gamut for reds and blues, along with enhanced reproduction of blacks while also increasing the black densities. The printer delivers borderless printing up to A3+ on a wide variety of media types and surface finishes, including fine-art papers up to 0.6…

This is arguably just as interesting a product as the EOS R5, and it’s a further indication of Canon’s growing emphasis on its RF lens mount. The EOS C70 is the first Canon Cinema EOS camera to have the RF mount, but it’s also interesting for other reasons, including a new and very compact (comparatively speaking) form factor and price tag that's likely to lure video-makers away from any of Canon’s mirrorless cameras or DSLRs. The body weight is just 1.17kg and the styling is more like that of a mirrorless camera or DSLR than a Cinema EOS camera. The C70 inherits quite a few features from the higher-end Cinema EOS, including a full set of eight pro-level interfaces, input/output terminals and ports (including two mini XLR terminals for audio,…

Just as it did with the very first – and very momentous – EOS interchangeable lens camera launch back in 1986, Canon has unveiled two new EOS models simultaneously. But this is 2020 and we’re talking about the next stage in the development of Canon’s EOS R full-35mm format mirrorless camera system. However, it believes the new pro-level EOS R5 (and its enthusiast-level sibling, the EOS R6), represents a “new era” which is certainly true in terms of Canon’s ability to compete much more aggressively in this sector… primarily with the ‘interlopers’, Panasonic and Sony. Another thing is certain with the R5… Canon has got its old mojo back. There’s no doubt the DSLR-versus-mirrorless debate hasn’t made things easy for either Canon or Nikon compared to the camera makers that…

For many working photographers, the DSLR-versus-mirrorless argument boils down to lenses – an existing tried-and-tested system (probably representing a considerable investment) versus the promised benefits derived from the shorter flange back distance. Consequently, it’s not surprising that lens systems feature prominently in the promotion and marketing of mirrorless cameras. As most current DSLR users will either be using Canon or Nikon, all are accustomed to having extensive choices of lenses to choose from, both from the camera brands and the independents. The latter often have more affordable pricing as an added incentive. In essence, as far as the Canon EF/EF-S and Nikon F lens mounts are concerned, every application and budget is catered for. Not surprisingly then, building lens systems has been a pre-occupation of the mirrorless camera brands, and…

If you thought the standard Alpha series full-frame cameras were compact – and they are compared to any of the competition – just wait until you see the Alpha 7C (a.k.a. ILCE-A7C). It’s full frame – using the same sensor as the A7 III – with in-body image stabilisation, a fully adjustable monitor, and an extensive suite of both photo and video features all shoe-horned into a body similar in both size and weight to the APS-C format A6600. The key to the size reduction is a monocoque-type construction that combines the chassis and body into a single magnesium alloy component (and, incidentally, makes it easier to seal against the intrusion of moisture or dust). Consequently, Sony says, the A7C is the smallest and lightest full-frame camera with in-body image…

Nikon’s fourth Z mount mirrorless camera, the Z 5, becomes the entry-level full-frame format body. It’s selling for roughly $600 less than the Z 6, so it has polycarbonate back and bottom plates – rather than a full magnesium alloy construction – but it’s still weather sealed. The top panel info display on the two higher-end models has been re-placed by the traditional mode dial, but this is likely to be a plus for some po-tential buyers. The Z 5 doesn’t have the same full-frame format sensor as the Z 6 either, but it still delivers an effective resolution of 24.3 megapixels (versus the Z 6’s 24.5MP) with Nikon’s latest-generation Expeed 6 processor doing all the number-crunching. The maximum image size is 6016x4016 pixels with JPEG capture in one of…

A change of ownership may be happening soon, but Olympus is still busy launching new products. The first of the OM-D line of Micro Four Thirds mirrorless cameras to reach its fourth-generation version is the entry-level E-M10. The E-M10 Mark IV keeps the same compact body as its predecessor, but is now even lighter and steps up to a 20.3 megapixels LiveMOS sensor. It still uses the TruePic VIII generation engine, but there have been a number of improvements to specifications, including extend IBIS correction to 4.5 stops, and up to 15fps continuous shooting with the camera’s electronic shutter. Olympus says the performance of continuous autofocusing has been upgraded to give more reliable subject tracking. There are both face and eye tracking modes, and silent shooting is now available with…

The phenomenal growth of podcasting has largely gone under the radar. Yet recent news that music-streaming platform Spotify has signed Joe Rogan, the comedian, MMA commentator and podcaster, to an exclusive deal which – depending on which figures you read – makes him the highest-paid broadcaster in the world. This shows that podcasting is now a very serious business. You’re probably familiar with podcasting already, but do you know how to start a podcast? The oft-used line is that it takes ten years to become an overnight success. Thankfully, the relative simplicity of creating podcasts means that with the right ideas, techniques and equipment, anybody can do it. In this article we’ll show you the steps to take, and offer some advice on how to start a podcast for yourself.…