@newbeats
Like DavidBowie before her, Annie Clark, the innovative singer-songwriter-guitarist who goes by the stage name of St. Vincent (the moniker, she says, comes from a line in a Nick Cave song), has come up with alter egos tied to each of her albums. For 2011’s Strange Mercy, she told Billboard, she was a “housewife on pills;” for 2017’s Masseduction, she was a “dominatrix at a mental institution.” On her latest Daddy’s Home (due May 14), she’s gone back to the early 1970s as an Andy Warhol-esque character living in gritty and bohemian New York City, the kind of downtown scenester Lou Reed celebrated in “Walk on the Wild Side.”
This era has always fascinated the Tulsa-born Clark, 38. “It was this period of time in downtown New York where…
