Years ago, a few friends and I visited the Khajuraho temples. Though the erotic carvings lived up to their fame, beautiful, sensuous, unapologetic, featuring a multitude of combinations and positions, we cut our visit short due to unwanted attention from male Indian tourists, checking us out as well as the carvings and taking surreptitious photos. At Khajuraho, the carvings may be ancient, but the men are post-colonial.
It wasn’t always this way. In Infinite Variety: A History of Desire in India, Madhavi Menon explores alternative histories of desire in the subcontinent, a desire that manifests in infinite forms, across genders and geographies, subject and objects, mathematics and literature and religious texts. From dargahs to Bollywood, celibacy to paan, calendars to yoga to the number zero itself, Menon illuminates fluid and…