LIKE SO MANY FATHERS IN INDIAN FICTION, ADIGA’S MOHAN IS SOMETHING OF A MONSTER, CONSUMED BY AMBITION FOR HIS SONS AND HIMSELF People, like countries, are imagined into being, are wilful acts of self-creation. In the 18thcentury bildungsroman, say, Tom Jones, the personal maturation of the young protagonist was concomitant with socialisation, with assuming the responsibilities of one’s place in society. The journey was from foundling to squire, the boy who came from nowhere to become a pillar of society. Later bildungsromans have recognised the difficulty, sometimes the impossibility, of reconciling the self with society, the tension between teleological purpose and one’s societal role, or the role others have in mind for you.
Aravind Adiga’s third novel, Selection Day, is that rare thing, a subcontinental bildungsroman in English that is…