Following last month’s introduction to some of the key porcelain decorators of the 18th century, today we shine a light on two particularly interesting artists, whose skill and influence were far-reaching.
William Billingsley, born in 1758, was a brilliant but difficult man, leaving behind a trail of debts alongside some important innovations in British porcelain. Encouraged by his mentor, the king of landscapes Zachariah Boreman, who we met last month, Billingsley developed a free, flowing style of flower painting, presenting flowers playfully from all perspectives with shiny highlights. These highlights were a novelty at the time: instead of painting around a white spot in order to create the effect of light on a petal, Billingsley applied his paint thickly and then wiped it out, creating a stronger, wet-looking effect. This,…
