One popular aspect of GT, you tell us, is our diversity of style, ability, technical approach and theoretical explanations.
Take this issue: you’ve had a user-friendly analysis of the Altered scale (p12); a big overview of one of the world’s most popular rock bands, AC/DC (p28); a beautiful solo by Brett Garsed (p38) that, while filled with hugely impressive playing, shows just how good Brett’s ears are to navigate so many changes. Then there’s the last in Tim Lerch’s series on solo jazz-blues playing (p44); even if you only take a couple of chords from this, you’ll be the richer for it; and the jaunty Canarios by Gaspar Sanz (p54), a great fingerpicking workout that’s brimming with energy and upbeat major key joy! Theory, lead and rhythm, chords, genres, fingerpicking;…
