IN 1885, Paul Gauguin painted a portrait of himself in his Paris studio. Now hanging in the Kimbell Art Museum in Texas, the picture is, to be truthful, not very good.
Until shortly before he painted it, Gauguin, then 37, had been working as a stockbroker on the Paris Bourse and then, briefly, as a tarpaulin salesman in Copenhagen. Before that, he was in the French merchant marine. For a decade, however, he had also been a keen painter, formally untrained, but picking up tips from Impressionist friends such as Camille Pissarro, who, like him, worked in the 9th Arrondissement. The stabbed brushwork of Gauguin’s self-portrait owes much to Pissarro, even if the work’s clumsy modelling and fall of light do not.
‘Gauguin had discovered the charms of the primitive’…
