Innholdsfortegnelse for June 2018 i Australian Homespun

We’ve received lots of letters from readers who have completed our fabulous 2017 BOM, Going to the Zoo, Zoo, Zoo. These four will each receive a book as a thankyou for sharing. Tracey Millward, from Rothwell, Qld: “I was thrilled to learn that I was to become a grandmother for the first time, so when the February 2017 issue of Homespun arrived soon after with the block of the month, Going to the Zoo, Zoo, Zoo, by Claire Turpin and Jemima Flendt, I knew I had to make it. What fun I had each month as I eagerly anticipated the new block. Thank you to the team at Homespun for all the inspiring ideas and patterns you keep delivering.” Stephie Bridger, from Heathmont, Vic: “I’m submitting my mum’s handiwork, making…

Who needs therapists when you can take to stitching instead? That is, if you try the Lisa Mattock approach. Her explanation for her particular style of layer-upon-layer-upon-layer of patches, stitches and scrappy bits goes like this: “Slow stitching, I call it. And it centres around ‘make do and mend’ and the ‘waste not, want not’ ethos of yesteryear. It encompasses the notion of slowing down mentally and enjoying the process of being mindful and involved in the project you’re creating. And using what you already have, in terms of fabric consumption.” Yes, please, we’ll have some of that! Not only because it de-jangles rattly nerves, saves on psychologists’ bills and prevents waste, but because the finished pieces are absolutely exquisite. Oh, and it gets you out of the house in…

How long have you been creating with fabric? Since I was 10 years old. I was lucky to have a lovely neighbour who gave me all her fabric offcuts for dolls’ clothes. There were always interesting bits of lace and trims from the clothes, curtains and cushions that she made. Do you like to work in a wide variety of styles and designs? Simple piecing and appliqué are my favourites. Keeping it pretty will always be my first choice, and having pink, blue, green and yellow is a must. How did this fabulous spotted design come about – what was your source of inspiration? My daughter gave me some very pretty, spotty fat quarters, and I added them to my own spotty stack. Tied with a pretty ribbon, they sat…

MATERIALS • 1.3m (1 3/8yd) taupe print fabric (background) • 40cm ( 1/2yd) pale yellow print fabric (oven) • Fat eighth solid white fabric (stove top) • Fat eighth each of two dark grey print fabrics (oven, oven handle and knobs) • 20cm ( 1/4yd) brown check print fabric (Border 1) • Assorted scraps, fat eighths and fat quarters in a range of colours and prints (oven, pies, towel, rolling pins, pot holders and hearts) • 30cm ( 3/8yd) solid pale yellow fabric (binding) • 1.3m (1 1/2yd) backing fabric • Batting at least 126 x 105cm (50 x 42in) • Rotary cutter, ruler and mat • Sewing machine with 1/4in foot • General sewing supplies Finished size: 110.5 x 90cm (43 1/2 x 35 1/2in) Note: Read…

Here’s a little guessing game for you: Where would you find this studio space? Bet you go straight for Victorian England, right? It’s got all the tell-tale elements – potted aspidistra; barley-twist furniture; tread-worn parquetry; button-studded sofa; and fine-bone cups and saucers, ready for ‘elevenses’. It could be Soames Forsyte’s drawing room or Mr Chips’ parlour. Well, guess again. It’s actually the studio space of Ann Wood and it’s slap-bang in the heart and hubbub of downtown Brooklyn, New York – a small (32 square metres) home that doubles as a workroom within the walls of a classic brownstone building. Who’d have thought? So let’s set aside images of genteel British salons and head straight for the pulsing metropolis where Ann lives and creates all sorts of wondrous fabric dolls,…

MATERIALS • 33 x 89cm (13 x 35in) 28-count Jobelan evenweave fabric (or equivalent) in Ivory • DMC Stranded Embroidery Cotton in Dark Lavender (209), Very Dark Violet (550), Medium Violet (552), Violet (553), Light Pale Yellow (745), Very Dark Hazelnut Brown (869), Medium Plum (917), Medium Sea Green (959), Light Sea Green (964), Light Plum (3607), Very Dark Sea Green (3812) and Dark Teal Green (3847) • Size 26 tapestry needle • Lampshade kit for a shade with diameter 20cm (8in) – Shannan used a kit from 3Chooks; if you’re not using a 3Chooks kit, you’ll need all the items listed in Step 1 • Roller or Q-snap frame (optional) • Masking tape • Fray Check or equivalent liquid sealant • 15 clothes pegs • White fluffy towel •…

WHAT YOU NEED: • 5mm ( 1/4in) diameter cotton rope: about 2m (2 1/8yd) per coaster – see Note • Sewing machine thread in matching or contrasting colours – see Tip • Long, strong pins • Size 90 universal, denim or topstitching machine needles • Sewing machine with zigzag foot • General sewing supplies Finished size: 13cm (5in) diameter approx. Note: Read all the instructions before you start. Rope quantity is approximate and should be used as a guide only: don’t cut the rope until you’re very close to the end of a coaster. Cassandra recommends using the pre-packaged 25m cotton sashing cord from Bunnings for the best value. These coasters are great for using cord left over from other projects. WHAT YOU DO: Step 1 Trim the…

• Wattle buds/flowers – Stitch these in satin stitch at different angles in each flower. This means the light will reflect off the surface of the thread in different directions. • Lily – If you struggle with French knots, try using a milliner’s needle instead of an embroidery needle. Because the milliner’s needle has a smaller eye in relation to the shaft of the needle, it will glide through the knots more easily. • Scattered stars – Tie off the thread after stitching each star. You might be tempted to pull the thread across on the back to the next star, but it may be visible from the front, making your lovely stitching look messy.…

Where do you live and work? I live in the Adelaide Hills of SA, with my husband and children. We have called this area home since our children were small, and now they are almost all grown. Last year, I converted a family room into my own creative studio space. Having a studio means everything I need to quilt is within immediate reach, making it much easier to be creative when the mood strikes. My space is still very much a work in progress, and I’m never short of ideas of how I’d like to improve it, but having a dedicated space helps to keep me motivated and inspired. Why this particular craft? I remember the first time I drove by a quilt shop and saw a quilt displayed in…

MATERIALS • Fat quarter of white tone-on-tone fabric (front panel) • 40cm ( 1/2yd) pink stripe fabric (cushion back) • Large scraps of assorted print fabrics – Yvonne used Tilda fabrics (Borders 1 and 3 and appliqué) • 10cm (4in) length of narrow cotton lace (pram hood trim) • Fusible web • Stranded embroidery cotton in dark and medium brown • Lightweight batting such as Pellon • Fusible tear-away stabiliser • 40cm (16in/size 16) square cushion insert • Bobbin thread such as Bobbinfil (optional) • Appliqué mat or baking paper • Spray starch (optional) – see Yvonne’s Appliqué Tip • Rotary cutter, ruler and mat • Sewing machine • General sewing supplies Finished size: 40cm (15 3/4in) square Note: Read all the instructions before starting the project. It is recommended…

Buying supplies just because you like them – When I first started, I just bought fabrics and trims because I liked them. The result was that, once I developed my own style, many of them didn’t fit in. I try to avoid this by waiting before I purchase something. If, for example, I’m buying fabric online, I’ll leave it in my cart and come back to it a few days later with fresh eyes and remove what I don’t need or feel I won’t use. Managing my craft finances – Rather than buying willy-nilly, I have now designated a percentage of my earnings to supplies, so I have more control. Making things in too much of a rush – I’ve now learned that I just have to talk to myself…

TOUR GUIDE 1 ELTHAM 2 MOONEE PONDS 3 YARRAVILLE 4 WERRIBEE 5 GEELONG WEST 6 TYLDEN 7 BALLARAT 1. Eltham THE QUILT SHOP Where’s Eltham: Eltham is 20km north-east of Melbourne’s CBD, in the heart of the Diamond Valley, on your way to the Yarra Valley Wine District. Where in Eltham: The Quilt Shop is located at 2/38 Bridge St, Eltham. To get there, turn left on Main Road, head straight through the roundabout and we are the first driveway on your left (opposite Bunnings). Who plays host: Pop in and catch up with co-owners Sharon and Alison – they can help you with all your stitching needs. Worth visiting because: We offer an extensive range of bright fabrics, including Kaffe Fassett, Alison Glass and Tilda, to name just a…

Oh, Scrap! by Lissa Alexander, US$27.99 Here at Homespun we just love scrap quilts: they’re a wonderful opportunity to use an array of different fabrics in one quilt, imbuing it with memories of past projects or the person who gave us a particular fabric. They allow us to revel in shades and prints pulled from our stash. Lissa Alexander’s new book provides instructions for 12 scrap quilts. All are based on traditional patchwork blocks and none is especially difficult to make, although many of them do have a lot of patches. Each quilt is shown in two quite different colourways – one as a model quilt in a photograph, the other as a line drawing – which is helpful to illustrate how different the project can look when made…

BLISS ON A STICK Sweet little treat reproductions in felt – served up by Lia Griffith. Her easy-to-follow tutorial is at liagriffith.com/felt-ice-cream-bars. Cool! CABLE TABLE Want to go one better than plain ol’ pine for your living spaces? How about a cable-knit coffee table? The knit is supported by a metal frame and topped with a mango-wood disc. It measures 84cm (diameter) x 45.5cm (height) and is available from Ian Snow Ltd, www.iansnow.com. GRANDMA’S NOT TO BE SNEEZED AT! Isn’t this a lovely way to make a memory quilt – with a collection of Gran’s floral handkerchiefs? By their very nature they work beautifully together, and they are a lasting tribute to a wonderful relative. This is the work of Tina Egner, of Emily Ann’s Kloset (website: www.onelittlepooh.net; email: tinaegner@comcast.net).…

01 FreeSpirit ‘Sweet Dreams’ Source Code – Glisten PWAH119.GLIST, designed by Anna Maria Horner. Distributed by XLN Fabrics. 02 Moda Fabrics ‘Beach Road’ 18138-25, designed by Jen Kingwell. Distributed by PK Fabrics. 03 Riley Blake Designs ‘Flora and Fawn’ Garden C6731-WHITE, designed by Amanda Herring. Distributed by Millhouse Collections. 04 Northcott ‘Willowberry’ 21953-28, designed by Angela Kilpatrick. Distributed by Lloyd Curzon Textiles. 05 Moda Fabrics ‘Painted Garden’ 11812-16, designed by Crystal Manning. Distributed by PK Fabrics. 06 Art Gallery Fabrics ‘Boho Fusion’ Illusionist Vine Boho FUS-B-206, designed by Bari J. Distributed by Craft Project – Charles Parsons. 07 Northcott ‘Willowberry’ 21949-49, designed by Angela Kilpatrick. Distributed by Lloyd Curzon Textiles. 08 Moda Fabrics ‘Beach Road’ 18134-11, designed by Jen Kingwell. Distributed by PK Fabrics. 09 Northcott ‘Willowberry’ 21949-64, designed by…

HAVE STITCHING, WILL TRAVEL “I could NEVER enjoy a holiday without my stitching. I do it in the car, on the plane, on the train … I even take my portable craft lamp with me, as holiday venues are notorious for having poor lighting. Even when I’m not on holidays, there’s a little bag of stitching kept in the car – just in case we’re unexpectedly delayed.” SPICE OF LIFE “I get bored fairly quickly, so I like variety, and therefore spread my interests fairly wide. You will find plenty of wallhangings, bags, cushions, table runners, stitching accessories and children’s projects in my collection.” “Because my stitching and designing is just a hobby, I’m free to do as much or as little as I like. Most weeks, the balance leans…

WHITE SEWING MACHINE – My mother’s White Rotary sewing machine is what I learned on and I still sew on it today. CHEST OF DRAWERS – A wonderful piece that was originally in my dad’s workshop. BUTTON DRAWER – I have a substantial collection of antique buttons and love looking through them for just the right one. (I especially love doing that when I should be doing something else!) NORFOLK PINE – I got it to serve as a Christmas tree four years ago, and it has been with me ever since. FABRICS & QUILTS – All the textiles, the quilts and fabrics that are so inspiring to me. I love cloth – old cloth, especially – hand stitching and other simple techniques and materials. The practicality appeals to me,…

Where do you live a work? I live in a quiet little village near the coast and surrounded by fields in the south west of England. When I’m not sewing, I enjoy tending to my lovely garden, where I grow apple, pear, plum and medlar trees along with a riot of flowers, including pansies, sunflowers, dahlias, hyacinths and roses. I love to tinker in the greenhouse and raise flowers up from seeds for the garden. Robins, blackbirds, blue tits, finches, tree pipits and woodpeckers all come to scour the garden for treats to eat and serenade me with their song when the sun shines … some like it here so much they even nest in the bushes and trees. My studio space is my bed! I do all of my…

Why this particular craft? I can’t seem to see anything without trying to make it. I love my sewing machine and the amazing variety of things it can create (home decor, soft toys, quilts and clothes). Although zips and I will never be friends! Have you tried plenty of others? I’ve been creating with my hands for as long as I can remember. I’ve tried so many crafts and will always have a couple of projects on the go. I love making things, especially for my family and loved ones. The best part is enjoying the finished product and the happiness that it brings others. I knit, crochet, quilt, cross stitch, scrapbook and I have a huge passion for photography, landscape and portrait. I haven’t met many crafts I don’t…

How did you feel when you first started stitching? I think I was a bit overwhelmed, because I hadn’t done embroidery before. But I was also excited to learn something new and explore the creative possibilities. Has your response to your craft changed since then? The ‘overwhelm’ has gone away. But I’m still excited about using embroidery creatively and I try to learn something new as often as I possibly can. What is it that keeps you creating? The endless possibilities of combining fabric and thread and colour. It’s wonderful. Do you teach your skills? I write tutorials on my blog and I also teach embroidery at a lovely shop in London, called The Village Haberdashery. I have written three embroidery books, Stitched Blooms (Lark Crafts, 2013), Romantic Motifs (Search…

MATERIALS • Rowan Cocoon 100g: 17 balls OR Patons Inca 50g: 34 balls • 12mm (US 17) circular knitting needle 80-100cm (32-40in) long – see Note • Large cable needle or large double-pointed knitting needle • Wool needle for finishing Optional fringe • 70.5m (76 1/2yd) approx. of a single colour heavy yarn OR 18m (19 1/2yd) each of four coordinating colours (as shown in photo) • Large crochet hook • Stiff cardboard rectangle, 22 x 5cm (8 3/4 x 2in) Finished size: 170 x 120cm (67 x 47in) approx. excluding fringe Note: This is an intermediate skill-level knitting project. Read all the instructions before you start. Yarn quantities are approximate as they can vary between knitters. There is no direct UK equivalent needle size to 12mm. The…

How often do you start a new project do you think? I do have many projects on the go at any one time (although some may end up as UFOs). I may do two or three large quilts a year, but I also love making small items, and there may be a few of these each month. Do you have a new design completely formulated in your head before committing to paper and fabric? No, I usually start with the central panel and then add to the design as I go. This is not such a good idea, as I may end up with a different-sized quilt to what I aimed to do. I don’t think I’ve ever succeeded in drawing/writing a complete pattern out on paper before making the…

Creatively, I can race into things too quickly. I am someone who gets bored very easily and can chop and change before finishing something that I started. I need to slow down, plan things out and think about what will look good. Setting myself small targets along the way is helpful when I’m trying to balance creative projects with my busy life. A tip from me: Have your iron and a small ironing board close by, as you will constantly need to press the fabric and seams as you go.…

Ashford Wheels & Looms Ph: 1800 653 397, website: www.ashford.co.nz/yarn. Asia Discovery Tours Ph: (02) 9267 7699, website: asiadiscoverytours.com.au. Bernina Australia Ph: 1800 237 646, website: www.bernina.com.au. Brother Australia Ph: 1300 880 297, website: www.brother.com.au. Ceebee Quilts Ph: 0429 727 636, email: ceebeequilts@outlook.com. Constantine Quilts Ph: (08) 8825 6214, website: www.constantinequilts.com. CraftAlive Ph: (03) 9682 5133, website: www.craftalive.com.au. Craft Events Ph: (02) 9452 7575, website: craftevents.com.au. Cynthia’s Ark Email: sales@cynthiasark.com.au, website: www.cynthiasark.com.au. Dragonfly Fabrics Ph: (08) 8948 0691, website: www.dragonfabric.com.au. Echidna Sewing Products Ph: (07) 3390 3600, website: www.echidnaclub.com.au. Faeries in My Garden Ph: (07) 3869 0808, website: www.faeriesinmygarden.com.au. Fibresmith Ph: (03) 9315 1995, website: fibresmith.com.au. Fiskars Australia Ph: (03) 8645 2400, website: www.fiskars.com.au. Height’s Sewing Centre Ph: (Werribee) (03) 8742 6238, (Geelong) (03) 5229 3558, website: www.heightsewing.com.au. Horn Australia Ph: (08) 8209 2800,…

NSW – Country July 13-15 Port Macquarie Timeless Quilters’ Quilt Show; Panthers Port Macquarie, 1 Bay St. Display of quilts, toys and charity quilts. Sale tables and charity raffle. Open Fri & Sat 10am-4pm, Sun 10am-3pm. Entry $5. More information: Phone Lee on 0402 437 604, Sue on 0408 069 282 or Ruth on 0439 245 845. Vic – Melbourne June 30 Williamstown Seabreeze Quilters’ Quilt-In: ‘Celebrating the Sisterhood’; Williamstown Town Hall, 104 Ferguson St. Guest speakers, traders, raffles, show-and-tell and open challenge. Open 10am-4pm. Entry $10. More information: Visit www.seabreezequilters.com. For tickets and challenge entry, email seabreezequiltin@gmail.com or contact Julie on 0409 527 217. July 14 Melton Willows Quilting Group Quilt In; Seniors Centre, McKenzie St. Shops and guest speaker Michelle De Groot. Open 10am-4pm. Entry $7. More information:…

• Craft Project – Charles Parsons: 1300 364 422, info@craftproject.com.au, www.craftproject.com.au. • Dayview Textiles: (02) 9607 2724, dayviewt@bigpond.net.au, www.dayviewtextiles.com.au. • Lloyd Curzon Textiles: (08) 8362 2451, admin@lcurzon.com.au, www.lcurzon.com.au. • Millhouse Collections: (07) 5351 1400, sales@millhousecollections.com, www.millhousecollections.com. • Nutex Wholesalers: (New Zealand) +64 9 846 6366, craft@nutex.co.nz, www.nutex.co.nz. • PK Fabrics: (02) 9557 2022, sales@pkfabrics.com.au, www.pkfabrics.com.au. • The Strawberry Thief: robyn@thestrawberrythief.com.au, www.thestrawberrythief.com.au. • Two Green Zebras: (02) 9553 7201, sales@twogreenzebras.com, www.twogreenzebras.com. • XLN Fabrics: (02) 9621 3066, info@xln.com.au, www.xln.com.au.…

MATERIALS • 2.1m (2 3/8yd) white homespun (block backgrounds) • 20 squares, 25cm (10in), of colourful spot print fabrics – see Note (circles) • 40cm ( 1/2yd) large pink and white spot print fabric (Border 1) • 1.1m (1 1/4yd) aqua floral spot print fabric (Border 2) • 55cm ( 5/8yd) pink on pink spot print fabric (binding) • 3.1m (3 3/8yd) backing fabric • Machine-sewing threads to match the print fabric squares plus white • Batting at least 175 x 152cm (70 x 60in) • Paper, cardboard and glue (template) • Rotary cutter, ruler and mat • Sewing machine with 1/4in and free-motion feet • General sewing supplies Finished size: 160 x 137cm (64 x 54in) Finished block size: 9 1/2in square Note: Read all the instructions before starting…

How long have you been creating softies? I have been creating softies for around seven years now. Do you like to work in a variety of styles and subjects with your toys? I don’t like to limit myself to any particular style or subject. I just make whatever I feel like doing at the time. Ever had any design/sewing softie calamities – a puppy that turned into a porpoise or a frog destined for the dustbin rather than the pond? Oh, yes! This happens all the time. For example, when making this project, one of my alpaca prototypes ended up resembling a seal. (It might come in handy for a future seal project!) In the process of just about every project, I end up making a softie that looks like…

How long have you been creating in fabric? Since I got my first Barbie house for Christmas. I made blankets for the beds and curtains for the windows. I think my first quilt was a tied quilt for a Barbie bed. Do you like to work in a wide variety of styles and designs? I tend to prefer vintage and traditional colours, patterns and designs. How did this quilt design come about – what was the source of your inspiration? I met my husband while volunteering for a local historical society’s pie sale fundraiser. We made hundreds of pies that weekend, and he bought one. Every year, we continue to volunteer there and will always remember that a cherry pie brought us together. Have you done anything like this before?…

MATERIALS • Small amounts of 8 ply yarns in eight assorted colours OR one 50g ball of 8 ply multi-coloured yarn – see Note • 3.50mm (UK 9/US 4/E) crochet hook • Wool needle • Fat eighth of solid homespun fabric to match one of the yarn colours • Fat eighth of medium-weight fusible interfacing • Machine-sewing thread to match the lining fabric • Hand-sewing needle Finished size: 21-22cm (8 1/4-8 1/2in) long and 8-8.5cm (3-3 1/4in) wide approx. Note: This is an intermediate skill-level crochet project. Read all the instructions before you start. This is an ideal stash-busting project. When selecting your assorted yarns, try to have them as similar in fibre type, weight and texture as possible. Eight assorted cotton and linen yarns were used in…

When the stitching is complete, wash the fabric to remove any dirty marks and skin oils. Use lukewarm water and pure soap or mild detergent and swish the fabric through the sudsy water without rubbing it. Rinse it thoroughly in cold water and roll it up gently in a clean towel to remove most of the water. Place the work wrong side down on a fluffy white towel. Place another towel over the top of the embroidery and, with the iron switched to a warm setting, press the embroidery lightly so as not to flatten the stitches. Allow it to finish drying naturally.…

MATERIALS • 36 fat eighths of assorted print fabric – see Samantha’s Fabric Tip (blocks) • 1.85m (2yd) solid white fabric (background, sashing and Border 1) • 30cm ( 3/8yd) each of solid teal, red, lime, navy and pink fabrics (arrow units) • 4m (4 1/2yd) backing fabric • 60cm ( 3/4yd) white and grey spot print fabric (Border 2) • 60cm ( 3/4yd) navy check fabric – see Note (binding) • Batting at least 200cm (79in) square • Rotary cutter, ruler and mat • Sewing machine with 1/4in and free-motion feet • General sewing supplies Finished size: 184cm (72 1/2in) square Finished block size: 20in square Note: Read all the instructions before starting the project. It is recommended that fabrics be 100% cotton, pre-washed (except for the…

Claire Armstrong confesses that she simply can’t help herself! “Okay, I admit it,” she says. “I have a tendency to get a bit obsessed with things, and one of my pet obsessions is recycling and upcycling jeans. It’s not just denim; I also have a thing about recycling and upcycling tin cans!” Well, who says that’s such a bad thing, when you can use both preoccupations to create something as useful and beautiful as these planters – made entirely from old jeans’ seams and hems? Clever and, no doubt, absolving for a certain Ms Armstrong. Contacts: Claire Armstrong, Pillarboxblue – Direct Link: www.pillarboxblue.com/recycled-jean-planter;Instagram: @pillarboxblue.…

PART 5 FLORAL BOUQUET MATERIALS • Fabrics B, C, D, F, H, I, K, L, N, Y and AA • DMC Stranded Embroidery Cotton in Dark Hazelnut Brown (420), Very Light Avocado Green (471), Ultra Light Avocado Green (472), Light Wedgwood (518), Dark Moss Green (580), Turquoise (597), Light Turquoise (598), Dark Drab Brown (610), Medium Olive Green (733), Light Tangerine (742), Pale Yellow (744), Golden Olive (832), Very Dark Beige Brown (838), Dark Beige Brown (839), Light Parrot Green (907), Very Light Peach (948), Ultra Very Light Dusty Rose (963), Light Seagreen (964), Very Light Apricot (967), Medium Forest Green (988), Medium Yellow Beige (3046), Light Yellow Green (3348), Light Dusty Rose (3354), Pine Green (3364), Light Melon (3708), Medium Wedgwood (3760), Dark Grey Green (3768), Cyclamen Pink (3805),…

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