THERE’S A STORYBOOK QUALITY TO JOHN JAMES AUDUBON’S WORK THAT INTRIGUES ILLUSTRATOR Phil Wheeler. Birds interact with each other, and with their environment, like a narrative unfolding. “They’re scientific,” he says, and yet “they’re very alive.” After poring over Audubon’s paintings, Wheeler chose the American Avocet for its gangly charm. “They’re so awkward, but at the same time, quite elegant.” In pose and coloring, his wader honors the original. But stylized vegetation and crepuscular light hint at otherworldly terrain. “The detail in the background is, for me, as fascinating as the birds,” he says. Stipples and stripes are common motifs in his art, created in Photoshop. “I go back and find textures and patterns that I’ve made previously and repurpose them,” he says. In this piece, some designs stem from…
