For documentary filmmakers seeking distribution for independently made projects, Sundance is the golden ticket. It’s where a few lucky doc directors can nail down seven-figure deals with major distributors including Netflix, Amazon or Apple TV+ every year. But this year, with streamers not only tightening their purse strings but also increasingly commissioning their own content, and even shunning more provocative political-leaning fare, the Park City market for indie nonfiction features will be more competitive and likely less lucrative.
Last January at Sundance 2022, which was an online-only event, the doc market got off to a strong start. Several Sundance nonfiction titles sold, including “Aftershock” (Disney’s Onyx Collective and ABC News), “All That Breathes” (HBO), “Descendant” (Netflix), “Last Flight Home” (MTV Documentary Films), “Fire of Love” (National Geographic), “Mija” (Disney+), “Nothing…