Vincenzo BARNEY
“ALL THE PRETTY LITTLE HORSES,” P. 84
Barney is at work on a book about Cormac McCarthy and Augusta Britt. More of his writing can be found on his Substack, “Barney’s Rubble.”
Nate FREEMAN
“McQUEEN’S GAMBIT,” P. 92
“I’ve always been fascinated by visual artists who make Hollywood films—and Steve McQueen is perhaps the best to ever make that crossover,” says Freeman, VF’s culture correspondent, who profiled the director ahead of Blitz, his much-anticipated World War II epic.
Lili ANOLIK
“ALL HER OWN,” P. 118
“Joan Didion’s style is confessional, yet she’s actually quite guarded, quite opaque,” says Anolik, VF contributing editor and author of Didion and Babitz (Scribner), out now. “Finding Noel Parmentel, her lover, mentor, tormentor, and muse felt like finding her wet, beating heart—it was…