Say the name Disney, said Anthony Lane in The New Yorker, and people will immediately see “unashamedly bright hues, flying elephants, singing bears, corporate dominance, happy endings, and a helping of values that slip down as easily as ice cream”. The Disney formula has been spectacularly successful, but it has not been without its critics. The backlash began in the 1960s, with the rise of Disneyland. The company was felt to be creating not just safe, sanitised versions of European fairy tales, but sanitised versions of real life, too. “Disney caters to the kind of phony reality that we all too readily accept in place of the true,” said Vincent Scully in Life magazine in 1965. “All the conflicts of the real world, the nerve centres of bourgeois society, are…