EARLIER THIS YEAR, JEFF HARVEY bumped into an old friend, a man in late middle age. Knowing that Harvey had worked on The World at War, his acquaintance began telling the retired editor what the series meant to him. “He started talking about Oradour,” Harvey says, referencing the massacre that graphically introduces the programme’s first episode. Paraphrasing Laurence Olivier’s sonorous narration, Harvey’s friend continued, “Down this road, the soldiers came.” By the time they had gone, that summer’s day in 1944, over 600 French civilians were dead, burnt and shot by the Waffen-SS. But to Harvey’s friend, it was like the war had never ended. “He went to pieces,” Harvey recalls. “It was quite extraordinary — it was like he was there, and this is a 50-, 60-year-old guy.”
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