There’s a theory that’s oft abounded in creaky corners of the internet that one day we’re going to run out of songs. “There are only so many notes, and so many sequences in which to play those notes,” these troubled worriers proclaim. “We’re already at a saturation point where everything sounds like something that’s come before it – when are we going to reach the point when there just aren’t any more songs to write?”
This is, of course, hogwash. Music doesn’t work like that – these misguided worrywarts are flagrantly disregarding arrangement, context, equipment, mood, method, not to mention nuance, pitch, tone and vibration… there are far too many variables. Sure, the ingredients are all plucked from the same menu, but it’s like saying that one day we’ll run…