Dozens of heads, torsos and rows of various, dismembered limbs hang on the walls of a storage room in Spaeth Design’s Queens, N.Y., office. They are labeled—‘Macy’s, ’99, Fat Man’— and belong to the ghosts of holidays past, the dozens of mannequins that have at one time or another populated the fantastical world of the famous New York City holiday window displays of retailers like Bloomingdale’s, Macy’s, Lord & Taylor, Tiffany & Co., Saks Fifth Avenue and Bergdorf Goodman. You know, the windows people travel from all over the world to see between Thanksgiving and New Year’s.
October is crunch time for Spaeth Design. It’s one of the best-known design firms making up a small but critical cottage industry of decorating department store windows for the holidays.
It’s a business…
